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Finding the right silk may require a little bit of research Lay the silk out face down and iron out the creases if necessary
Trace the pattern with the chalk on the back side of the silk and cut along the lines.
Make sure that you do not stretch the silk while you chalking the lines.
Chalk the stitch lines as well before sewing the pieces together.
Attach the back sides of the facing to the base section and sew along the stitch lines Then flip the end inside out.
Repeat the previous step with the other end of the.
Attach the two halves together.
With the silk sewn together, make the necessary folds towards the center of the tie, making sure that the final product is symmetrical.
Press the sides of the tie on the back side with an iron to make creases.
Stitch the tie closed along the center of the back side with a slip stitch.
Leave a little slack so that the tie can stretch a bit without snapping the thread.
Try on the tie and enjoy.
Attach the two halves of the tie together with a running stitch.
Fold the edges of the tie towards the center and sew it closed.
Press and crease the edges of the tie so that it will keep its shape.
Silk is expensive, so practice on a cheaper fabric first.
when ironing a tie, make sure the iron is at the correct setting.
picture of Finished Necktie
Ties are almost all mass produced these days People do not take the time to custom make a tie like they would get measured for a tailor made suit.
Part of the reason is that they simply don’t know how to make a tie But making a tie is as simple as any other article of clothing.
picture of how to do a tie
Bring the entire length of F up behind and then over the intersection knot so F is draped over S. If at this point F is already shorter than S, go back to Step 2 and lengthen the F-side starting position. You can now see the knot in its infancy.
Gimp is a plastic lacing used to make bracelets, keychains, pullies and even bookmarks I understand that some also call it “boondoggle” As my son (2 and a half) says, “Funny word!”.
The most common kind of thread used for the craft is flat and comes in many different colors Another kind of scoubidou thread is supple, round and hollow plasticized PVC tubes usually about 80 centimetres in length They are sold in various colours, sizes and types, and are used to make various items by binding them together with special knots On account of their elasticity and hollow cross section which allow them to collapse and deform when pulled they can easily form extremely tight and stable knots Key chains, friendship bands and other trinkets are most commonly woven, although more complicated shapes and figures can also be created.
Most of the knots used in scoubidou were already used in bast fibre, while the creations possible with scoubidou are also similar in many ways to traditional corn dollies and macrame.
How to Make a Square Knot With Gimp String ?
Cut a strand of at least two feet from each color of gimp The two strands should be equal lengths.
Fold the two strands in half to find their centers Lay one piece of gimp across the other so that they form a cross where the two pieces meet at their centers Hold the cross together with the thumb of one hand so your other hand is free.
Using your free hand, grasp the piece of gimp that’s lying on the bottom (String A) Flip one end of this piece over the top string (String B); both ends of String A should now be on the same side, making it a T-shape instead of a cross.
Take the end of String A that you didn’t already flip and flip it over String B You should now have a cross shape again, but with String A wrapped around String B instead of lying under it The folds where you wrapped String A around String B should form two little loops.
Grasp one end of String B Cross it over the loop of String A that’s closest to it and under the loop that’s farthest from it and weave it through the String A by crossing it over the loop that’s closest to it and under the loop that’s farthest from it Once again, the ends of String B should now be on the same side of the cross, making aT.
Grasp the other end of String B and cross it over the loop of String A that’s closest to it and under the loop that’s farthest from it Pull all four ends tight You should now have a little square of gimp with four colored “checks” The check in each corner should be the same color as the check in the corner diagonal from it.
photo of Two spools of plastic used for scoubidou
Scoubidou (Lanyard, Scoubi, Scoobie, Boondoggle, or Gimp) is a plaiting and knotting craft, originally aimed at children It originated in France, where it became a fad in the late 1950s and has remained popular The name “Scoubidou” comes from the late French singer Sacha Distel,who scored his first hit with the song of the same name in 1958.
Scoubidou returned to fashion in various countries, including the United Kingdom,in 2004 and 2005 It uses commercially supplied plastic strips or tubes.
image of Gimp is a flexible plastic string that you can knot into various objects
Gimp also called boondoggle, is a string like material made of flexible plastic You can tie gimp into knots in order to make friendship bracelets, lanyards, key chains, zipper pulls and bookmarks The most basic gimp stitch is the square knot, also known as the box knot.
Graffiti (singular: graffito; the plural is used as a mass noun) is the name for images or lettering scratched, scrawled, painted or marked in any manner on property Graffiti is any type of public markings that may appear in the forms of simple written words to elaborate wall paintings Graffiti has existed since ancient times, with examples dating back to Ancient Greece and the Roman Empire.
In modern times, paint, particularly spray paint, and marker pens have become the most commonly used graffiti materials In most countries, marking or painting property without the property owner’s consent is considered defacement and vandalism, which is a punishable crime. Sometimes graffiti expresses social and political messages and a whole genre of artistic expression is based upon spray paint graffiti styles. To some it is an art form worthy of display in galleries and exhibitions; to others it is merely vandalism Graffiti has evolved into a pop culture existence often related to underground hip hop music bboying, and a lifestyle that remains hidden from the general public. Graffiti can be used as a gang signal to mark territory or to serve as an indicator or “tag” for gang-related activity.
How to Draw Graffiti Letters ?
First you need to start by learning letter structure For a while you can put down the pen and markers First try sketching just normal keyboard letters Use bars by keeping and keep standard widths throughout the letters.
After you learn letter structure a little bit by doing extremely simple keyboard style letters You can begin to mess around with your bars a little bit Try making bars that bend different way, bars that get bigger or smaller. But notice that the letter structure stays the same.
Once you are comfortable doing that You can add 3d to your piece This is done with a vanishing point where all the lines point to.
You can also try adding extensions to your letters to make them look cooler This takes time to get a feel for where they can go to still look good.
Last you can color your piece Its nice to add some type of a halo or forcefield type thing around it so it stands out.
See Also check out the bubble “throwie” style letters which are a little easier and a lot faster to do.
photo of Draw Graffiti Letters
In this tutorial you will learn how to get started writing graffiti. You see it everywhere you go, but for some reason you just cant seem to be able to illustrate similar wild style letters some graffiti writers are able to form.
image of how to do graffiti
Not many people know about the varieties of graffiti For example, light graffiti is a form of art not known to many But what exactly is light graffiti? watch this clip for information.
Hi there, my name is G, from The Graffiti Kings We are based in London And we are going to talk you through some tips and techniques that will make you a bonafide skilled graffiti artist in no time at all.
So let us get moving with the can Okay, light graffiti, source of light, this is how you do light graffiti Make sure you are in a dark place.
Let us go Okay, light graffiti,what do you need? A source of light. Move it around, what do you get? You get a trail of light.
It is as simple as that. Take a source of light, move it around fast, what have you got? A rotating ‘C’ If that is your tag, beginning with ‘c’, put it up in the air.
That is light graffiti in a nutshell It is that simple.
Krzysztof Wodiczko began developing his public projections in 1980 interfacing the facades of urban architecture – whether public monuments, public buildings, or corporate architecture with images of the body to juxtapose the physical space of architecture with the psycho social space of the public realm “In the process of our socialization,” the artist writes, “the very first contact with a public building is no less important than the moment of social confrontation with the father, through which our sexual role and place in society are constructed Early socialization through patriarchal sexual discipline is extended by the later socialization through the institutional architecturalization of our bodies Thus the spirit of the father never dies, continuously living as it does in the building which was, is, and will be embodying, structuring, mastering, representing, and reproducing his ‘eternal’ and ‘universal’ presence as a patriarchal wisdom-body of power.
In an often cited example, Wodiczko projected an image of the hand of Ronald Reagan, in formal dress shirt with cufflinks, posed in the pledge of allegiance, onto the north face of the AT&T Long Lines Building in the financial district of New York City four days before the presidential election of 1984 “By creating a spectacle in which a fragment of the governing body, the presidential hand, was asked to stand for corporate business,” writes Ewa Lajer-Burcharth, “Wodiczko offered a suggestion about the class identity of those forces that hidden under the guise of God, State, and Nation are the actual receivers of the pledge of allegiance In subsequent projections, the artist layered iconic representations of global capitalism, militarism, and consumerism with images of fragments of the body to suggest a consideration of our relation to public space that is contingent both to history and social and political ideologies of the present.
The conception of this project consistently derives from its underlying architecture the theoretic conception and visual pattern of the Hamburg Kunsthalle The Basic idea of narration was to dissolve and break through the strict architecture of O. M. Ungers “Galerie der Gegenwart” Resultant permeabilty of the solid facade uncovers different interpretations of conception, geometry and aesthetics expressed through graphics and movement A situation of reflexivity evolves describing the constitution and spacious perception of this location by means of the building itself.
Krzysztof Wodiczko believes in the necessity for intellectuals to participate actively in society forging, as critic Jan Avgikos points out, “a commitment to resistance and truth telling that, while often derided as outmoded or impossible, remains a basic human impulse.
image of facade-projection
The conception of this project consistently derives from its underlying architecture the theoretic conception and visual pattern of the Hamburg Kunsthalle The Basic idea of narration was to dissolve and break through the strict architecture of O. M. Ungers “Galerie der Gegenwart” Resultant permeabilty of the solid facade uncovers different interpretations of conception, geometry and aesthetics expressed through graphics and movement A situation of reflexivity evolves describing the constitution and spacious perception of this location by means of the building itself.
picture of facade
Une installation bluffante produite par UrbanScreen Intitulée 555 Kubik, il s’agit d’une projection de façade, sur le bâtiment en forme de cube du Hamburg Kunsthalle en Allemagne Art-direction par Daniel Rossa Les vidéos sont à découvrir dans la suite.
Painting is a mode of expression and the forms are numerous Drawing, composition or abstraction and other aesthetics may serve to manifest the expressive and conceptual intention of the practitioner Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, be loaded with narrative content, symbolism, emotion or be political in nature.
A portion of the history of painting in both Eastern and Western art is dominated by spiritual motifs and ideas; examples of this kind of painting range from artwork depicting mythological figures on pottery to Biblical scenes rendered on the interior walls and ceiling of The Sistine Chapel, to scenes from the life of Buddha or other scenes of eastern religious origin.
What are the brands for glass color and from where I can get?
In Indian market two brand of glass colors are found Camel and Pedilite I generally use Camel glass color and it is easily available from any stationary shop.
Is it necessary to use ceramic powder in outliner?
Sometimes ceramic powder is not easily available in hardware shop, so I have tried using plaster of paris and whitening powder instead of ceramic powder while making outliner cone. But the proportion should be appropriate.
What are the steps in making outliner without ceramic powder
Material required for outliner:
Plastic Sheet (to make cone)
Plaster of paris (easily available in hardware shop)
Whitening powder (easily available in hardware shop)
Fevicol (to mix with ceramic)
Color (any shade as per requirement)
Small plastic container and spoon (for mixing)
Cello tape and scissor.
Steps for making outliner:
Make a cone (required size) out of plastic sheet and fix it with cello tape.
Mix plaster of paris, whitening powder, Fevicol and fabric color in a plastic container.
Nolumps should be left.
Pour the paste in the cone and fix it with lot of cello tape to avoid any leakage.
Cut the tip of cone (as per required thickness) with scissor.
And here is your outliner ready with using Plaster of Paris, whitening powder and Fevicol (adhesive).
Why whitening powder and plaster of paris are used in making Mural dough or outliner.
Using Plaster of Paris in Mural dough will make dough hard, which results in unfinished shape. Whitening powder gives a very nice finish to the shape made out of dough and also dough can remain for longer period of time, if kept properly in air tight container.
How to make dough for murals or ceramic pot?
I use three easy ways for making dough for murals or ceramic pot:
One is to simply use ceramic powder and Fevicol; thickness can be based on the requirement.
Second is to make the dough out of white cement and Fevicol, but in this case you need to be little expert to handle the dough.
Third way is to mix plaster of paris, whitening powder and Fevicol.
How to make texture for mural art
Mix white cement and Fevicol and make a thick paste and apply it on required portion on which you have to give texture. Let it dry for only 5-10 minutes and make some desired texture with the help of pen/pencil, any thick stick or bottle cap.
Which surface is used for sand painting?
Generally wooden board is used for Sand painting.
What is Duplex Paper?
A sheet of paper, on which both the sides have different color. It is easily available in stationary shop.
photo of Drawing, creative
intensity at each point, due to shades and reflections from nearby objects, but ideally, a white wall is still a white wall in pitch darkness In technical drawing, thickness of line is also ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters.
picture of Beautiful fantasy
What enables painting is the perception and representation of intensity Every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between In practice, painters can articulate shapes by juxtaposing surfaces of different intensity; by using just color (of the same intensity) one can only represent symbolic shapes Thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization .
image of Creative act
The distribution of form, or any kind of information is of crucial importance in the given work of art and it directly affects the esthetical value of that work. This is because the esthetical value is functionality dependent, i.e. the freedom (of movement) of perception is perceived as beauty. Free flow of energy, in art as well as in other forms of “techne”, directly contributes to the esthetical value.
How to use basic fade in/out from black in i Movie ’08
Are you an i Movie ’08 user, adapting from i Movie HD? Do you think you’re missing those crucial transitions for your project — Fade In and Fade Out? I know I was when I first migrated to i Movie ’08. Want them back? Since iMovie ’08 does not require transitions to be tied to one or two clips, you can use transitions in pretty creative ways. This is one way I figured out how to do this creatively. If you want your “Fade In” transition back, on your very first clip, drag the new “Fade Through Black” transition. If you want your “Fade Out” transition back, you can drag the “Fade Through Black” transition after the last clip in your movie viewer.
Rob G. adds: For those who edit video a lot, this tip will seem quite basic. But if you’re an i Movie HD user making the move to i Movie ’08, it may not be obvious that you can get the fade behavior back with a “fade through” transition.
In i Movie, how do I make the music fade out?
If you’re using one of the earlier versions of i Movie, go to the Timeline View, either by clicking on the little clock icon next to the filmstrip icon on the left-hand side near the bottom, or by going to View -> Switch to Timeline Viewer (if it’s not there and you see Switch to Clip Viewer then you are already in the Timeline view).
In that view, you’ll see either one or two audio tracks (depending on whether your audio is stereo or not). There will be a purple line running through audio track. The purple line represent the volume (higher = louder). If you click on the purple line (sort of near the end) and drag it down you’ll get a yellow dot that will let you set a separate volume for that segment. Once you do this it will make more sense. To fade out music, drag the yellow dot all the way to the bottom. You’ll also see a purple square on the line and if you drag it to the left you can stretch out the fade over longer time.
If you’re using the most recent version of i Movie (’08), it’s a little different. Select the audio clip, click on the icon in the middle of the page that looks like a speaker with noise coming out. That will bring up the audio adjustments window and Fade Out is one of the options you can set. You can make it either automatic or manual.
How to Play Fable 3 Offline Co-op ?
Guide 1: Play Fable 3 offline co-op
1.Turn another controller, press start on player 2′s controller
2. Select the options you are happy with
3. Have both players press start
4 Turn on a second controller and click start
5 Sell off all of the second players abilities and they
become free points for you.
Guide 2: Play Fable 3 offline co-op
how to get tattoo and sword
You need live to download the co-op patch, but I don’t know if that’s for online or offline co-op. Aside from that, offline co-op is possible. Your friend a few choices:
1. create their own hero so they can transfer over the experience and gold back to them.
2. use one of your characters, also being able to transfer over the gold and experience.
3 both options force your friend to use a preset hero. There’s also a third option of just joining without loading any characters. Of course, this means that the gold and experience earned is basically lost after they leave.
Guide 3: Play Fable 3 offline co-op
For Fable 3 offline co-op, just have your friend turn on the second controller and press start. When the screen comes up, pressing Y on the second controller allows your friend to load up one of your characters (your profile) or one of their own (their own profile). Then they can select a skin, a melee weapon, and a ranged weapon. You also set the split of gold and experience. After everything is set, both of you hit accept, and the game is started.
The Fable franchise has followed an interesting path since it’s birth on the Xbox some years ago. What started out as solo quest of a boy turned hero took a different turn in Fable 2 to a game with more difficult decisions between good and evil. Fable 2 also introduced a limited form of co-op which for most, simply didn’t fit the bill. Now Fable 3 is here and it not only expands on the concept of what is right and wrong, mostly blurring the lines, but it also expands on the co-op giving people exactly what they want.
Fable 3 starts with you as a prince or princess, you are the child of the Hero from Fable 2. Your brother Logan is currently sitting upon the throne of Albion, but he’s a very unpopular leader that some call a tyrant. It isn’t long before your mentor Walter whisks you and your pooch away on a question to rally the people of Albion to your side to overthrow your brother.
Fable 3 is a lot more like an adventure game and less like an RPG. No longer do you collect orbs based on melee, magic or ranged attacks leveling up that ability – instead all your actions, aggressive or not, yield you experience points towards Guild Seals. These seals are then spent on different chests on your Road to Rule, the chests contain items like different expressions, upgraded attacks, and new spells to learn. It’s here in this hub world that you’re really given the choice to shape your character.
Another big change is the lack of weapon and armor collecting – or rather – the lack of importance of it. Sure you can still collect or buy different outfits and armor, but they have no statistical effect on your character. You are given your choice of weapons like a sword, hammer, rifle and pistol at the start which you’ll use for most of the game. While there are “epic” weapons you can acquire and complete special tasks with, there’s very little reason to switch off of your favorite hero weapon. As you use your weapon it’ll morph and transform – glowing different colors, adding curves and twists, and adding different styles and sizes to itself. This all depends on what you kill, as well as what deeds you do while wielding the weapon. This adds to the cool factor when joining a co-op game, showing off your bad ass weapon.
The combat is mostly unchanged from Fable 2, a one button system yields plenty of cool moves and maneuvers. The longer you hold a button, the greater the power of the swing of the hammer or shot of the pistol. New though is a dynamic action camera that will slow down and focus in on particular animation. There’s a huge variety here you’ll see – whether it’s an overhead smash, the breaking of an enemy’s leg, or the rapid shot of a gun into the bad guy. So despite one button, the combat is incredibly satisfying.
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The sources:-
————- http://www.pubarticles.com
Add character to a room by making an arrangement with beautiful fabric roses or craft one delicate fabric rose and place it in a vase. You could add beauty to any setting or create a keepsake bridal bouquet from fabric roses. Making the blooms requires only a small amount of fabric, so you could match curtains, tablecloths or other home accessories by using the same cloth.
1 – Fold the long strip of fabric in half lengthwise and iron along the fold.
2 – Use the needle and thread to baste together the raw edge.
3 – Gather the length to measure 6 inches long and tack in place so that the gathers do not slip out.
4 – Fold over the short end, with the needle attached, diagonally and even with the raw edge. Tack in place.
5 – Begin rolling lightly from the folded end to create the tight center bud of the fabric rose. Tack in place by making a stitch with your needle and thread.
6 – Continue to wrap the gathered length, tacking to secure the fabric rose as you wrap.
7 – When you reach the short end, fold it over diagonally and even with the long raw edge. Finish wrapping and tack in place. Finish by knotting it off and clipping the thread.
8 – Apply glue to the end of the chenille stem and insert into the middle of the tacked raw edges of the fabric rose. Allow the glue to dry.
9 – Fold the 4-inch square leaf fabric in half with the wrong sides together and iron. Cutting through both thicknesses, cut a long football shape. This does not need to be perfect, so you do not need to make a pattern.
10 – Use the sewing machine to stitch around the entire leaf. Sew 1/4 inch from the edge.
11 – Start at the tacked raw edges of the fabric rose and wrap floral tape over the tacked section. Continue down the chenille stem for 4 inches.
12 – Pinch one end of the leaf and hold it against the chenille stem at the 4-inch mark. Wrap the floral tape around the pinched end of the leaf and continue to wrap to the end of the chenille stem.
Fabric and paper blooms are always in season. The best part? You can make these faux flowers, suitable for formal and casual weddings, in advance. They’re easy; all you need are a few supplies and your own loving hands.
Adding fabric rosettes to hats, scarves, jackets, handbags and even shoes is a way to jazz up an outfit or make a fashion statement. Fabric rosettes are relatively simple to make and require few materials. Rosettes can be casual, flirty, elegant or bold, depending on the fabric or ribbon that you choose. Wool and cotton are suitable fabric/ribbon choices for an everyday look. On the other hand, if you wish to adorn a cocktail dress with a rosette, silk, brocade and organza are good choices.
Start with a strip of fabric 1″ by about 20″ – 25″. (I cut a 1″ strip the height of my fabric, then cut it in half. Many fabrics are 44″ so you end up with a 22″ strip, but some do vary which is ok.) You’ll need one strip of fabric per rosette.
Fold the strip in half and press with an iron.
Cut a piece of cardstock (or cardboard) 1/2″ x 11″ (or the height of your stock). Pin the folded fabric strip to the cardstock and begin wrapping it around on an angle, not too tight. Secure the other end with a pin and press with the iron.
Once completely cooled, slide the cardstock out, keeping the wrapping as is. Fix any spots as necessary and press again with the iron.
To form the rosette, roll the strip around a pencil starting at one end. Once rolled, slide the pencil out and begin to shape the rosette by spreading it out a bit and twisting the center with your fingers if needed. Secure the loose end on the back with a pin and lightly press again with the iron to flatten it a bit.
You can create rosettes in different sizes by using a longer or shorter piece of fabric or wrapping them tighter or more loosely. You will also find the type of fabric you use will affect the size of the finished rosette. Above can see how different embellishments really change the look of the finished piece.
If using more than one rosette on a hair clip, brooch or necklace, glue them to a piece of felt and trim the excess felt once dry (shown a few photos up). You can then embellish and glue to a hair clip or add ribbon or chain for a necklace.
These would also be darling stitched right onto a tank top strap, across the top of a tshirt or onto one side of a cardigan. Oh, the possibilities
You can print an image directly onto fabric to make a beautiful print. By using Bubble Set Jet to prepare your fabric before printing, you can wash your fabric safely without removing the print. The following steps will show you how to print an image on fabric with an inkjet printer.
Screen printing on fabric is a wonderful way to improve the look of fabric and to make any sort of pattern that suits your needs. You will need a reasonable amount of space and to set aside some time to dip in and get messy but the end results are well worth the effort. This article explains how to screen print fabric.
creating your designs! Get out your contact paper and start sketching. Bold shapes work great and are pretty easy to draw and cut out. Cut off a large piece of contact paper, about 12″x12″ works well, and cut out your design using an exact o knife. Think of the contact paper as the stencil for your design. Save the shapes you cut out, you can use those as well!
The first step is to decide how big you want your flower to be, as this determines how big you make the circle at the centre of your flower and the petals. You don’t have to measure accurately, simply think “petal at top, plus circle in the centre, plus petal at the bottom, equals how big?” and remember to allow space for the leaves and stem. Unless you want to make a sunflower, your petals will be larger than your centre.
After the paper is peeled from the contact paper place it on your fabric:
Now take out the extra piece of foam you set aside. Cut it into 4 – 5 square pieces. Fold the corners of the foam together and secure with a rubber band as shown below. These are your printing poofs.
Place your contact paper (sticky side down) where desired on your fabric and start dabbing the ink.
Fabric Stamping Tips:
* If you’re going to use a stamp a lot, stick it on a small piece of wood. The firm base makes it easier to use.
* Make your own inkpad by putting a piece of felt into a shallow dish, then adding paint to it. Paint for a fabric-ink pad needs to be fairly thin.
